top of page

Christian Hübner Bass Opera - Welcome!

  • Instagram
Christian Hübner Bass

BUENOS AIRES - TEATRO COLON - DAS LIEBESVERBOT

Absolute revelation is Lise Davidsen, a voice of amazing flow and dynamic and expressive resources.

Also dazzling, vocally and by humor, the bass Christian Hübner as a delicious Brighella.

LISE DAVIDSEN - MARIA HINOJOSA - PETER LODAHL - CHRISTIAN HÜBNER​

TOKYO - NEW NATIONAL THEATRE NNT - DAS RHEINGOLD - SIEGFRIED

Christian Hübner has a splendid and powerful bass-voice,

his singing made me feel the majesty of a big dragon.

STEPHEN GOULD - RICARDA MERBETH - CHRISTA MAYER - GREER GRIMSLEY - CHRISTIAN HÜBNER​

SEVILLA - TEATRO DE LA MAESTRANZA - GÖTTERDÄMMERUNG

Likewise, the evil Hagen is entrusted to a bass tessitura with low bass register difficult to

interpret within the big orchestra. Christian Hübner, a singerspecialized in Wagnerian roles,

totally embodied this role, being very much liked by the audience.

STEFAN VINKE - LINDA WATSON - ELENA ZHIDKOVA - MARTIN GANTNER - CHRISTIAN HÜBNER

WARSAW FILHARMONIC - TRISTAN & ISOLDE

As a youthful King Marke, Christian Hübner sang with conviction and a powerful bass voice reminiscent of Matti Salminen. Tomasz Konieczny was a committed and sonorous Kurwenal with an absolutely electric top register​.

MICHAEL WEINIUS - JENNIFER WILSON - MICHELLE BREED - TOMASZ KONIECZNY - CHRISTIAN HÜBNER

OPERA DIJON - DAS RHEINGOLD - DIE WALKÜRE - SIEGFRIED GÖTTERDÄMMERUNG

Christian Hübner was back demonstrating his versatility as Hagen in Götterdämmerung,

completing a marathon effort of one role in each opera - Fafner, Hunding, Fafner and Hagen.

Hübner is a giant of a man, both vocally and in acting he proved a credible evil scheming genius.

RICHARD WAGNER - GÖTTERDÄMMERUNG ACT I -
00:00 / 00:00

outstandingly dazzling, vocally and as a comedian, Bass Christian Hübner as a delicious Brighella

Ambito

The German Bass Christian Hübner (Brighella) demonstrated his powerful timbre, indeed effective​

La Prensa​

​​​

The Bass Christian Hübner shaped a Brighella full of humor, projecting easily with his voice over the complicated orchestration​

Desde La Platea

TEATRO COLON

BUENOS AIRES

DAS LIEBESVERBOT

​​​​​​​

Projecting over the brilliant orchestra: The Norwegian soprano Lise Davidsen and the two basses, the german Christian Hübner and the very talented Hernán Iturralde

La Nación

Absolute revelation is Lise Davidsen, a voice of amazing flow and dynamic and expressive resources. Also dazzling, 

vocally and by humor, the bass Christian Hübner as a delicious Brighella

Christian Hübner (german bass, début) did a convincing Brighella, his deep bass-voice is also accustomed to the great Wagnerian villain roles Hunding and Hagen​​

The Buenos Aires Herald​

Christian Hübner (Brighella) with powerful bass voice

Mundo Clasico

TEATRO MASSIMO PALERMO 

DAS RHEINGOLD

​​

Christian Hübner sings Fafner with a very evenly proportioned and shining timbre​

  operaclick.com

.

​​

Christian Hübner is a Fafner with

powerful bass timbre

 liricamente.it

WARSAW NATIONAL PHILHARMONIC  

TRISTAN UND ISOLDE​​​​​​

 

As a youthful King Marke, Christian Hübner sang with conviction and a powerful bass register reminiscent of Matti Salminen. The resonant low B natural on

“Mir dies” was a perfect example​​​.

Tomasz Konieczny was a committed and sonorous Kurwenal with an absolutely electric top register

The Bachtrack

SEVILLA TEATRO

DE LA MAESTRANZA

GÖTTERDÄMMERUNG

Likewise, the evil Hagen is entrusted to a bass tessitura with low registers difficult to interpret within the big orchestra. Christian Hübner, a singer specialized in Wagnerian roles, embodied this role, being very much liked by the audience

Christian Hübner Bass Joyce di Donato
Christian Hübner Bass Ambrogio Maestri

Christian Hübner as Fafner, Hunding and Hagen is a true basso profundo, black-colored as you wish for it

musicologie.org

Christian Hübner as Fafner sang with gusto and strength and fitted the character from head to toe

operacritic.com


Christian Hübner is brilliant as Fafner, Hunding and Hagen.
classiquedáujourdhui.com

 

Remarkable voices, especially Gunther, Fafner und Brünnhilde

musicasola.fr 

​​​​

Christian Hübner as colossal Fafner, physically and vocally, as well as Hunding and Hagen     

concertclassic.com

​​​​

To be remembered are the voices of Alberich and Fafner and Sieglinde

bien public
 

Vocally and physically colossal, Fafner of Christian Hübner remains in our memory, as well as Hunding and Hagen

concertclassic.com

 

This ring leaves a very good impression, mainly thanks to amazing singers: i.e. the impressive bass by Christian Hübner as Fafner, Hunding and Hagen

altamusica.com

Christian Hübner Bass Sir Bryn Terfel
Christian Hübner Bass Jose van Dam

VIENNA

 

Among the soloists, especially the young german bass singer Christian Hübner as Falstaff stands out. Hübner´s Falstaff is powerful and substantial. The "Main Hit"  "Als Büblein klein ..." is mastered in a sovereign manner, a remarkable overall performance!

Der Neue Merker


Christian Hübner as Sir John Falstaff with gorgeous bass-voice
Der Standard


In the center is a perfect casted Falstaff: Christian Hübner dominated the scene with his dark and rich bass-voice
Volksblatt Wien

Christian Hübner underlines Falstaffs credibility with his voluminous and bottomless bass organ
Wiener Zeitung


Christian Hübner impressed with titanic figure and powerful bass-organ
Der Kurier

Christian Hübner is brilliant as Fafner, Hunding and Hagen

classiquedáujourdhui.com

Christian Hübner was back demonstrating his versatility as Hagen in Götterdämmerung, completing a marathon effort of one role in each opera (Fafner, Hunding, Fafner again and Hagen). Hübner is a giant of a man whose physique is more suited to the giant Fafner than the dwarf-born Hagen, but both vocally and in acting, he proved a credible evil scheming genius

The Bachtrack

​​​​

The hard-working Christian Hübner sang Fafner, Hunding and Hagen - a young but true "schwarzer Bass" of honoured tradition, and a singer who has the towering physique for all of those roles

Opera Archive

Christian Hübner sang a magnificent, powerful Hunding and Fafner with intelligent acting. Here is a young Wagner talent announcing itself

Der Neue Merker

.

Many highlights remained. My own favourite, probably idiosyncratically, was the dying Fafner, changed from dragon to his original giant form, telling Siegfried the story of what has happened. Christian Hübner sung elegiacally, with true nobility and strength, contrasting with Fafner's noisy bluster when in dragon form

bachtrack

​​​​

This ring leaves a very good impression, mainly thanks to amazing singers: the impressive bass by Christian Hübner as Fafner, Hunding and Hagen

altamusica.com​​

Not only of tall stature, but especially of a great voice: Christian Hübner as Fafner, Hunding and Hagen with dark and powerful bass, theatrically brutal and calculating

forumopera.com

​​​

Christian Hübner (Fafner) sang with gusto and strength and fitted the character from head to toe

operacritic.com


Christian Hübner as Fafner, Hunding and Hagen is a basso profundo, black-colored as you wish for it

​musicologie.org​​

OPERA DIJON 

RHEINGOLD WALKÜRE

SIEGFRIED GÖTTERDÄMMERUNG

bottom of page